Arteliberatutti started in August, 2010; at the beginning, it  was  aimed to map the hidden side of contemporary art-hub, made of informal collectives, struggling against financial troubles and lack of visibility.

During the enquiry, new cultural models and new ways to appproach the audience  underlined the fine line between indipendent and institutional realities, drawning a situation lent to different interpretations.

The discussion about contemporary models and approaches leads to redefine rules, roles and praxis, in a double way: both deconstructing and destroying the previous systems. Furthermore, the dialogue queries more and more, with no assurance. Actually, the research investigates both curatorial practices and how public approaches art works, crossing common boundaries.


Giulia De Monte

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